Posts Tagged ‘movie’

New “Man of Steel” Poster Revealed at Comic-Con 2012

July 16, 2012

Here it is:

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Hmm… let’s see if we can fix that a bit…

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I’d still like to take out a bunch of that texture, but wetsuit/basketball rubber is the new superhero-in-leather of the moment, so I’m leaving most of it, smoothing it just a bit, and bringing up the colors to what they should be.

You’re welcome.

How Abin Sur *Really* Died…

April 14, 2011

Alright, so we’ve all heard the ridiculous story of Abin Sur crashing on Earth, and eventually dying from the injuries suffered in that crash. And, it looks like they are going to continue this charade in the upcoming Green Lantern movie staring Ryan Reynolds.

The story is bologna.

We here at the Steve Austin Book Club have uncovered the truth, and in our tireless efforts to keep you, our loyal readers, informed, we offer this never-before-seen bit of comic book history that was covered up by the Powers That Be!

Behold, the biggest shock since it was discovered that JFK was actually mauled to death by a tiger:

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Movie Time: Cirque Du Freak: The Vampire’s Assistant

October 27, 2009

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Cirque Du Freak: The Vampire’s Assistant
Directed by Paul Weitz
Starring John C. Reilly, Josh Hutcherson, Chris Massoglia

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Darren and Steve are best friends. They are also opposites in almost every way. Darren is the good kid, works hard in school, makes good grades, etc. Steve is the teenage punk from a troubled home that is apt to get into trouble. After finding a flyer for a traveling circus of freaks, the two decide to attend… and both of their lives are transformed.

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During the show, Steve recognizes the magician to be a vampire from one of the many books he has on the subject. Darren, on the other hand, is far more interested in the unique spider that works with the magician/vampire.

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When the show is broken up by local citizens and police, Darren and Steve are separated. Darren finds himself outside the dressing room of the magician/vampire, and decides he wants to see the spider again. Inside he finds the spider, but hears someone coming down the hall and grabs the spider and sneaks into the closet.

The magician/vampire and a friend step into the room and shortly thereafter… and so does Steve. Steve confronts the magician/vampire, and tells him he wants to be made a vampire, that he has nothing else to live for. The vampire sends him away.

When he gets the chance, Darren makes a run for it, and goes home, with the spider.

The next day, Darren takes the spider with him to school and meets up with Steve. The spider, accidentally freed from its cage, bites Steve, leaving him near death.

Darren makes his way back to the theater where they saw the show, hoping that the vampire can help Steve. The vampire makes a deal to help Steve, in exchange for Darren becoming his assistant… and a half-vampire.

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Thus begins Cirque Du Freak: The Vampire’s Assistant. This movie is an obvious foundation for other films planned for a series based on the Cirque Du Freak books, which is both good and bad. Good, in that it is trying to establish a world and we are introduced to a lot of characters so that we get a feel for that world. Bad, in that many of those characters are given little time to truly establish themselves.

But, if the film does spawn the sequels, that will be forgiven, perhaps even lauded as we don’t have to deal with the problems of introducing so many characters with each subsequent installment.

The real basis of the story, though, is the rivalry between two sets of bloodsuckers – the Vampires and the Vampanese. Vampires, in this setting, are the “good” guys – they still drink blood, but they only sedate their victims, they don’t kill them. The Vampanese, on the other hand, are violent and bloodthirsty, and power hungry. There has been a long tentative peace treaty between the two groups, but it is now threatened.

I’ll admit that I knew nothing about this film going in. I had seen one commercial for it, and decided to see it just because of the planned theme for this week. And, though the film had a lot of faults, I was pleasantly surprised overall.

This isn’t really a vampire film, though. There are “sorta” vampires in it, but it is almost… vampires sifted through Tim Burton’s brain and then highlighted with Harry Potter-ness… if that makes any sense. The film is more of a quirky fantasy than anything in the realm of horror. Because of that, a lot of people will be immediately turned off of the film. Me? I’m rather proud of myself. When I realized what this film was going for, I thought, “Oh, okay. Well, I’m not exactly the target audience, but let’s see what happens.”

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And, sure enough, I’m not the audience for this film. I can’t imagine rushing out to get the DVD for it when it comes out, or even going out of my way to see it again… but I did find it enjoyable.

Yeah, I could talk about the shortcomings of the film all day. I could tell you that Chris Massoglia, who plays Darren, is essentially a clone of Ashton Kutcher and that his performance seemed disengaged. I could complain that the other freaks of the Cirque didn’t get anywhere near enough screen time, and that the large number of name actors were generally wasted in the film.

But, you know what? That is a bunch of nitpicky kinda stuff that, while accurate, didn’t really stop me from enjoying this movie. The effects for the movie were pretty cool, even if some were a little too obviously computer animated. The makeup on this film was stellar, though, top notch stuff that really made this world come alive.

And, though they had limited screen time, the cast of freaks were really good. Jane Krakowski as Corma Limbs was bizarrely perky.

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Orlando Jones as Alexander Ribs was… well, Orlando Jones. (Orlando Jones seems to be himself in most things.) Ken Watanabe had an amazing presence as Mr. Tall, and Patrick Fugit was so fantastic as the Snake Boy that I’d like to see an entire movie based on that character.

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And, there is Salma Hayak… being all Salma Hayak and hot and all.

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The most amazing performance for me, though, had to be John C. Reilly as Crespley, the vampire. The role is so completely against type for him, but he manages to completely own it.

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His turn as the weary, cynical vampire is enough for me to recommend this movie to anyone I know. He delivers some of the best lines in the film that range from dark, wry humor, to an almost sad melancholy, and delivers them well.

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Honestly, other than when he appeared on Late Night with Conan O’Brien and tore into Kevin Costner about when they both were doing For Love of the Game, this is my favorite thing John C. Reilly has ever done!

(And, by the way, if anyone knows where to find a clip of that, I’d be forever grateful to have it!)

For me, this movie was an unexpected treat. It won’t appeal to everyone, as it is definitely aimed toward mid-teens, but it wasn’t bad. In fact, I’ll go so far as to say that I wouldn’t mind seeing this film get some sequels, if only to expand on this world and to see the actors in supporting roles get a chance to shine.

I’m giving Cirque Du Freak: The Vampire’s Assistant three out of five Running Steves.

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If nothing, this film has made me want to seek out the series of books on which it was based.

Micro-Hero of the Week: Vampire Edition!

October 26, 2009

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Greetings, one and all, and welcome to the second of our very special theme weeks – Vampire Week! Brain-Cravers took center stage last week, but this week belongs to the Bloodsuckers!

As we are apt to do, we start out with a very special micro-hero from EG, and boy, is it a special one! See, over the weekend, EG was able to watch a special episode of Wolfman Mac’s Chiller Drive-In. Wolfman Mac is the latest in the fine history of Horror Hosts (such as Sir Graves Ghastly, The Ghoul, and Dr. Shock) that we’ve had in the area. This weekend’s movie? None other than that 1922 silent classic, Nosferatu!

Inspiration struck, and the Steve Austin Book Club is proud to present one of the most famous vampires of all time, Count Orlok!

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Keep a lookout, because we’ve got a week of vampire goodness ahead!

Movie Time: Zombieland

October 22, 2009

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Zombieland
Directed by Ruben Fleischer
Starring Jesse Eisenberg, Woody Harrelson, Emma Stone, and Abigal Breslin

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How to sum up this movie? In a post-apocalyptic world filled with zombies, four individuals join up… sorta… in search of a safe place that at least 75% of them don’t even believe exists. And Twinkies. Oh, and along the way, they learn a little about themselves, family, and they kill zombies.

And, honestly, that’s about it.

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If you are looking for anything more than that, Zombieland is going to be a great disappointment. If you are just looking for a relatively fun film with some zombie killing, you’ll probably like it. But (and, this is where I differ from about 90% of the people that see this movie), if you are looking for a great zombie movie, you’ll probably be a little let down.

Parts of the movie were fantastic. Early on in the film, we are introduced to Columbus (Eisenberg), in all his nerdiness, and his rules for surviving in the new status quo, which is really funny.

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(By the way, I find that Eisenberg:

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… is completely interchangeable with Micheal Cera:

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… who I originally thought was in this movie before I actually saw the film.  Just sayin’.)

And, when Tallahassee (Harrelson) and Columbus are in the early stages of their road trip, the film takes total advantage of the contrast between the characters. The comic chemistry between the two was fantastic, and the zombie killin’ they commence to doin’ is top notch and entertaining.

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If the whole film had been just that, I would’ve enjoyed the whole thing much more.

Once Tallahassee and Columbus meet up with Wichita and Little Rock (Emma Stone and Abigal Breslin), though, the focus shifts away from zombies almost altogether to the bonding of the group of four individuals… which isn’t a horrible thing, but it kinda sapped away my enjoyment of the movie in the manner it was shoehorned into the middle of the film.

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At this point, you get the weakest portions of the movie – a sequence of destruction of a souvenir shop that was pretty “eh”, and the Cameo (which you likely already know about, but I’m not going to spoil). The Cameo was surprising to me (because I was fortunate enough not to have heard a thing about it), but it was also only mildly amusing. And, then you get more character bonding (which is undermined by some less than stellar humor).

Which then leads up to the big finale, where two of the characters, in maybe the greatest display of stupidity in the entire film, run off to an amusement park and turn every light and noise-maker on, so they can play for a while. This, of course, attracts every zombie for miles around, and the two idiots have to be rescued by the only two other remaining people on earth (okay, we aren’t expressly told that, but it is implied). This rescue, though, lacks the creative and comic sense of the zombie kills early in the film, and kinda seems a little easy, despite the overwhelming numbers involved.

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I enjoyed the movie as a sort of mindless popcorn film, but I wasn’t as blown away by it as most folks. As a result, I can only give Zombieland two and a half out of five Running Steves.

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I just wish they had kept up the momentum from early on in the film.

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Movie Time: Fido

October 20, 2009

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Fido
Directed by Andrew Currie
Starring Billy Connolly, Carrie-Ann Moss, Dylan Baker, K’Sun Ray, Henry Czerny

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Combining the nostalgia of Leave It to Beaver and the tender mercies of Dawn of the Dead, Fido is the story of a boy and his zombie.

In an alternative 1950’s era, the world is perfect in its innocence after recovering from the Zombie Wars (a time when the world was ravaged by space-dust reanimated dead). And, thanks to innovative technological advances, everyone can now even have their very own zombie servants!

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Sure, every once in a while, a zombie goes bad and has to be taken care of, but folks are prepared. Children hone their shooting skills during the school day, and there is always ZomCom, the company that makes the control collars for the zombies, and their security division that keeps normal folks safe.

In the idyllic setting, we meet the Robinsons – Bill, Helen, and their son, Timmy. Bill is the responsible father, making sure that each member of his family have a funeral savings, ensuring that they will not revert to zombies after their deaths. Helen is a loving wife and mother, perhaps a little too concerned with keeping up with the Joneses. And Timmy? Timmy is the average boy, who’d just like to play catch with his dad.

Despite Bill being against it (for pretty good reasons when you see the movie), Helen orders a zombie after the head of ZomCom’s security division moves into the neighborhood. After a short period, Timmy becomes truly attached to the zombie and names him Fido.

Unfortunately, Fido’s control collar goes on the fritz, and he attacks and kills a neighbor. Despite the best efforts of Timmy to keep this under wraps, it is eventually found out, and Fido is recalled to ZomCom. Then, it is up to Timmy to rescue Fido.

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I have to admit, when I decided to watch this film, I wasn’t expecting much. I had seen the preview, and thought, okay, I’ll give it a shot.

I’m very glad I did.

The look of this film is unbelievable. Despite the low budget, the feel is captured every bit as well, if not better, than in most movies that try the same. Everything from the costumes to the houses are era-perfect. It is a beautiful and lush setting, full of bright, synthetic colors that make for a great contrasting look with the zombies, clad in blues and grays to match their skin tones.

The acting throughout the film is pretty top notch. I wasn’t annoyed by the kid actor playing Timmy (which is a feat), and Carrie-Ann Moss as the mother was really fantastic, as, perhaps, the most dynamic character of the entire film.

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Henry Czerny stole every seen he was in as spot-on casting for no-nonsense Head of Security Mr. Bottoms. The delightfully creepy Tim Blake Nelson as Mr. Theopolis, neighbor to the Robinsons, is worth the price of admission!

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If there was any fault in the cast, I’d have to give that to Dylan Baker, who I usually really enjoy. In this movie, though, he seemed to be the only one playing a bit over the top, which was a contrast to the other actors that seemed to be playing the ridiculous as straight.

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Still, overall, no major complaints.

Oh, and, let me just say that it blows me away that Fido:

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Was played by this Billy Connolly:

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Which was a fact I didn’t realize until very nearly the end of the film! I knew Billy Connolly was in the film, but I just didn’t connect it until late in the movie.

For better or worse (depending entirely on your tastes), the gore of this film was very understated overall (especially considering that it is a zombie movie). As a result, if you are looking for a bloody mess of a movie, you’ll probably be disappointed. On the other hand, if you are looking for a zombie movie that non-horror fans might enjoy, this is a heart-warming film (with a nice touch of satire and a bit of gore) that will probably fit the bill.

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I’m giving Fido three and a half out of five Running Steves.

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While this film isn’t quite up to the level of brilliance of the amazing Shaun of the Dead, it is certainly high up on the list of wonderful zombie comedies. Check it out if you have a chance!

Movie Time: Surrogates

October 14, 2009

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Surrogates
PG-13
Directed by Jonathan Mostow
Starring Bruce Willis

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There was a time, not too long ago, when Hollywood offering a token of science fiction with good production values and name stars was unusual. It was a dark time. As a result, I still get excited when I see a movie preview from the genre, despite the greater number of offerings.

Enter, Surrogates.

I saw the previews for this film and was really amped to see it. Real life delayed me, until this past weekend, but now I’ve seen it, and thought I’d go ahead and give my two cents about it.

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In a future world quite similar to ours, technology has allowed the vast majority of people to purchase robotic surrogates, physically perfect avatars, to interact in the real world. No more need to fear the dangers of the outside world, people plug themselves in and live through these machines in perfect safety. Even if the surrogate is damaged, the operator is perfectly safe.

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That all changes, though, when a college student is somehow murdered via their link with a surrogate. FBI agent Tom Greer (Bruce Willis) investigates the death, running into roadblocks from the company that creates the surrogates, the military, and those that rebel against the use of surrogates.

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The movie is based on a limited comic book series from Top Shelf Productions.

I’ll admit, I haven’t read the comic book. I thought about seeking it out before seeing the movie, but I tend to believe that is a bad idea. Seldom to films live up to the source material, and I wanted to give this film every chance.

At the start of the film, I was completely struck by the look of the characters. I would bet that underwear companies had to delay their ad campaigns while every perfect underwear model in the world worked on this film. That isn’t a knock against the film – it establishes very early on the feel of the movie, and artificial perfection, a “fakeness” that allows the premise that people living through perfect machines is plausible.

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In fact, this is reinforced when we meet up with the plastic version of Bruce Willis’ character. I don’t know what all they did to Bruce Willis to give us the plastic/perfect look that blends in with the underwear model cast so well, but it is impressive.

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And, when his character is forced to go without his surrogate, the grizzled, wrinkled, and bald look of the actual human behind the puppet is also great for establishing the contrast of the film.

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Unfortunately, one aspect of this compare/contrast demonstration didn’t really work. In the movie, there are those that are resistant to using the surrogates. Resistant is probably too subtle a term. “Violently opposed” is more accurate. They have been separated from the general populace in various camps. To emphasize the difference between these “real” people and the surrogates, most of the real folks are too real – sloppy looking, craggy, unkempt. It made me wonder, as I was watching, why none of the “real” people looked basically average. You can’t tell me that only the least attractive members of society reject surrogates. There have to be a couple of average folks mixed in, or it seems too black and white, which actually took me out of the movie.

The movie does have several good action sequences, and I have no complaints about the effects within the film. And, with a running time of under 90 minutes, the movie certainly doesn’t drag!

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On the other hand, the film is pretty heavy handed in its moral. Not only does the main plot seem to revolve around the detachment of humanity, the sub plot of the relationship between Greer and his wife does as well. I think the makers of the film were trying to use the sub plot as a more personal reflection of the widespread issue of the main plot, but what results is the feeling of being hammered over the head in a “well, if you didn’t get the idea from that, how about this” sorta way.

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(Ooh, by the way, wanna see what that surrogate having its face pulled off looks like? Okay!)

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And, had the film stuck with the single social commentary of the detachment of humanity, I think they could have had a better product. Unfortunately, that non-dragging 90 minutes doesn’t really allow for the exploration of that theme, the violation of personal civil liberties, the question of justification in terrorism, and any of the other statements that the film failed to sufficiently elaborate on.

The movie failed to really offer anything new, though. We’ve seen this same sort of story done before, both better and worse.

The real problem with the film, though, is predictability. Every action seems to be telegraphed throughout the movie. Plus, I was able to figure out most of the film in the first five minutes, which is something I hate. OG tells me that this is partially my fault, because I never go into any book or film without overanalyzing as I go along. Maybe he’s right, but I still hate knowing how things are going to be put together at the beginning.

Overall, the movie was okay. Nothing spectacular, but it wasn’t unwatchable. I wouldn’t recommend running out to the theater to catch it before it moves to DVD. It isn’t worth that.

I’m going to give Surrogates two Running Steves.

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I don’t know that they could have really done enough to make the film great, but there was definitely room for improvement.

AFI: 10 Top 10 – Science Fiction

June 18, 2008

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So, the American Film Institute (AFI) once again made a list.  That seems to be what they do.


On Tuesday, June 27, 2008, The AFI: 10 Top 10 was broadcast.  Basically, they took ten genres (TEN?!?  Really?) and declared the top 10 movies in each genre.  And, as usual, they were wrong.


I don’t want to go into all of the various lists, but since this is The Steve Austin Book Club, I thought we’d take a look at what the AFI is calling the top 10 science fiction films of all time.


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10 – Back to the Future – Okay, I liked this movie a lot… but putting it on a top 10 list for science fiction?  Seems a little much.  When I think “science fiction,” I gotta say – I don’t think, “Back to the Future.”  Yes, I know, it does revolve around time travel… it just doesn’t leap to my mind.  Still, for mass appeal and movie quality, I suppose I can go along with this, especially since it is this low on the list.


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9 – Invasion of the Body Snatchers – This one should be in this list.  Maybe even a little higher.  My only complaint with this film is the sorta cop-out “happy” ending – which was tacked on.  But, without a doubt, I think that this one does belong on the list.


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8 – Terminator 2: Judgment Day – Yeah, I’ll go with this.  At first, I was thinking that the original film should be here, but I can’t deny how much better overall this sequel is to the original.  This one seems right, and probably about this spot.


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7 – Alien – Now, some would argue whether this one or the sequel, Aliens, really belongs here.  I won’t get into that, but I will say that this seems a little low.  I would’ve thought this film would be in the top five, but I could be wrong.  At least it is on the list, right?


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6 – Blade Runner – At the risk of losing more geek-cred, I don’t like this movie.  I know I’m in the minority here, but I can’t help it.  Despite that, given the popularity of the film, I can see it in the top ten… I suppose… but certainly lower than the sixth position.  Like I said, though, my personal taste is factoring in on this one.


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5 – The Day the Earth Stood Still – I would’ve made it a little lower, but the 5 spot is perfectly acceptable.


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4 – A Clockwork Orange – I don’t know that I can adequately express how much I hate this film.  As such, and regardless of the way others feel about it, I can’t believe this is on any top 10 list, especially when I factor in the ridiculous number of other science fiction films that could have been on this list.  I… I have nothing more to say on this.


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3 – E.T. – The Extra Terrestrial – And as much animosity as I have for the previous film, I have an equal amount of love for this film.  Great movie.  That said, I don’t know that it would’ve made my top 10 for specifically science fiction films.  I probably throw it more in with family films.  And, if it had made my list for science fiction, I think it would’ve been a little farther down.


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2 – Star Wars: Episode IV – A New Hope – Of course a Star Wars film was going to be on this list.  I’m just surprised by two things – which one, and how high it is on the list.  I suppose A New Hope, being the original film and essentially self-contained, could make the list, but in my experience, most people seem to agree that The Empire Strikes Back is the best of the Star Wars films overall.  As for position, I would’ve put the representative of the Star Wars films somewhere in the fourth to sixth position.


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1 – 2001: A Space Odyssey – Not my favorite science fiction film, but I can absolutely understand it being on this list, and why it is 1.  If there is to be a flagship for science fiction film, this one fits the bill.


My biggest complaint with this list are the things that are missing.  I’m not positive that films like John Carpenter’s The Thing, Star Trek II – The Wrath of Khan, Twelve Monkeys, Planet of the Apes, Total Recall, or Robocop would’ve made my top 10 list for science fiction films, but they would certainly have been more likely to be on this list than some of these offered by AFI.  And what about films like Forbidden Planet and Fantastic Voyage?  Or even The Running Man and The Matrix?


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Without a doubt, though, what makes this list most suspect is one ommission that is completely unacceptable in my mind – Where is Close Encounters of the Third Kind, AFI?  How can there be a list for the best science fiction films of all time that doesn’t include Close Encounters?!?


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Bah!  AFI, you have failed again.  Hang your head in shame.

Rollerball (1975) vs. Rollerball (2002)

May 30, 2008

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By and large, I’m not a fan of remakes.  I know the goal is to try to capture lightning twice, to get an easy “win.”  All too often, a studio finds a perfectly good (often great) film, and proceeds to “update” it, making something that is, at best, pale imitation of the original, and, at worst, a two hour display of modern movie makers urinating on history.


Sure, there is the odd occasion when a remake is actually good, and the extremely rare case where it is as good as the original, and the almost non-existant instance in which the update is better than the original, but, by and large, remakes are bad.


I have long said, though, that if Hollywood wanted to really impress me, they shouldn’t try to remake great films, but, rather, lousy films.


That’s right – don’t give me a remake of Planet of the Apes; give me a remake of Batman and Robin, a film so bad that it made me want to gouge my own eyes out while sitting in the theater.


Anyway, time marches on, and, as is apt to happen, Hollywood is running out of “great” films to pillage, leaving lesser offerings.


Enter Rollerball.


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Rollerball was a film released in 1975 starring James Caan and John Houseman. 

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Set in the year 2018, the world is ruled by several Corporations that control everything.


Rollerball is the sport of the future, a game designed by the Executives of the Corporations, to show that the effort of the single individual is pointless.  It is played on a circular track, with ten players on each team – seven skaters and three motorcyclists. 


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As the teams move around, a steel ball about the size of a softball is shot out, roulette style, around the top of the track. 


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The teams try to take possession of the ball and deposit it into a goal.  Just that simple.


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Oh, and it is pretty much a no-holds-barred free-for-all in stopping the opposing team from scoring.


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The Executives face a problem, though.  In a sport in which no individual is supposed to rise above the others, one has – Jonathan E.


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Jonathan E., played by James Caan, is the premiere Rollerball player in the world, a ten-year veteran of the sport.

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The Executives decide that it is time for Jonathan E. to retire, and inform him.  Though resistance to the will of the Executives is unheard of, Jonathan finds that he cannot bring himself to retire.

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What follows after that is a steady stream of pressure on Jonathan to obey the will of the Executives, while Jonathan comes to a place wanting more from himself than the futuristic gladiator that he has become.


The movie culminates in a final Rollerball match in which – well, I don’t want to spoil the whole thing.  Suffice it to say, the theme of the individual achievement versus sublimation to the rulers of society comes to a head.


Sound good?  Yeah, well, don’t get too excited.


Now, don’t get me wrong – the movie isn’t horrible.  It is too long and hasn’t aged as well as some other films, but Rollerball’s biggest crime is that it is pretty much just slightly better than mediocre. 


What manages to keep this movie above that line is the acting.  James Caan is good, though he seems to be trying to out melancholy Hamlet at times, and John Houseman, as the Energy Corporation Chairman, is very good.


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(As he almost always is, even when he was on Silver Spoons.)


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The theme of the film is a bit heavy handed, but handled well enough to inspire further thought on the matter even after the film is finished.


One thing is for certain:  Despite my idea of remaking bad films, I don’t think that anyone was really crying out for an update of the film, and yet…


Enter Rollerball, 2002.


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Gone is that pesky futuristic world!  This film takes place in the here and now!  It is loud and in your face!  And it is eXtreme!  Yeah!


*sigh*


Okay, in this version, Rollerball is the big sport of the former Soviet republics.  It is essentially the same kinda sport, but now played on a figure eight track, and the point of the game is not to send a message to the people, but, rather, to get ratings. 

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And to display singer Pink on large screens around the arena.


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The star player of the sport is Jonathan Cross, played by Chris Klein. 


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In this version, there are no Executives, but the sport is run by a crooked promoter played by Jean Reno.


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Evil looking, ain’t he? Oh, yeah, and LL Cool J and Rebecca Romijn-Stamos were in the movie, too.


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So, Jonathan Cross discovers that players are being set-up to die to bring in ratings, and decides that is wrong!


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He and LL Cool J attempt to escape across a border, which is about 20 minutes of your life you’ll never get back filmed entirely in glorious, grainy night vision.


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Yeah.


Eventually Jonathan Cross is captured and forced to play.  Of course, he is now the next target to encourage increased ratings.

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At this point, a film that was barely making any sense degrades into Jonathan Cross somehow starting a social revolution.


The end.


And, what did the re-makers manage to do with this film?


They took the heavy handed, yet still thought provoking theme of the original film of the individual achievement versus sublimation to the rulers of society and replaced it with an even heavier handed theme of greedily capitalizing on society’s bloodlust, a theme that requires no thought.


They replaced good actors (James Caan, John Houseman) with actors whose abilities remind one of cardboard.  Seriously, Chris Klein couldn’t inspire me to blow my nose, let alone revolt against the powers that be.


And, speaking of, the images of Chris Klein so far have been awfully fierce looking.  I mean, come on!  The Chris Klein we have come to know is that dopey looking Keanu Reeves kid.  Remember?


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Where is that guy?  Oh, wait.  Found him!


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Yep.  That’s the dopey guy we know.


Now, back to Rollerball.


Thankfully, the 2002 version is much shorter than the original.  Unfortunately, it feels twice as long when you are watching.


So, while the original film isn’t the greatest, it is a masterpiece compared to the updated version.


On a closing note, the basis of these films was a short story called Roller Ball Murder.  Aside from the ridiculous name of the sport (yeah, “Roller Ball Murder” is the name), it is actually quite good – a first person narrative from the viewpoint of Jonathan E., very much the story of a weary, futuristic gladiator.  If you have about a half hour, you can listen to the whole thing, courtesy of radio show from the ’70’s, MindWebs, the episodes of which have been archived in MP3 form on the internet!