Archive for the ‘Review’ Category

Wonder Woman: The New Duds Revisited

April 1, 2011

EG: Alright, folks, it isn’t that often we revisit a topic, but that is EXACTLY what we are doing today. What earthshaking developments have taken place that drive us to do so?

Wonder Woman.

That’s right, folks. Our pleas, in part have been heard. In the most recent images released from the upcoming TV tragedy of epic proportions, Wonder Woman, the costume has been changed.

I’ll say it again, slowly: The. Costume. Has. Been. Changed.

Thanks to the very comments and concerns expressed right here on this blog, the Steve Austin Book Club has convinced the Dark Forces working on this series to (at least partially) fix the costume.

OG: Huzzah!!! Er, well, that is, Partial Huzzah!!!

EG: I’m sure that some of the other bloggers out there that made some comments had a slight impact on the decision as well, but I’m hereby claiming credit for this advancement in the voice of fandom for this blog. We, OG and EG got this done for you, our people.

You are welcome.

OG: Yes, that’s right! Big shot Hollywood muckety-muck David E. Kelly and those ninnies at NBC have buckled under the mounting pressure from our rarely updated and virtually unknown blog! OUR INFLUENCE CANNOT BE DENIED ANY LONGER!!!

EG: So, let’s take a look at the updated costume!

Photobucket

Photobucket

Photobucket

Photobucket

EG: There she is, determinedly running! First off, let me say, I know it isn’t perfect. The top is still shiny. I still wish they’d gone with a more dull, leather-like top. But, look at the improvements – the pants are darker, and no longer made of vinyl. And the boots! We got the red boots! And not the hooker-heels that the blue boots were! That right there was such a vast improvement I can almost forgive the shortcomings.

OG: Indeed, on the whole, it is a significant improvement. The only reason I wish they had held their ground on the original costume is that we could have seen shots of her running awkwardly in vinyl pants and trying to jump up on cars in stilettos. Certainly the comedy of that would have been delightful!

EG: But, I did mention shortcomings. With the replacement of just the pants material/tone, the costume now seems a bit less cohesive. As much as I didn’t like the shiny elements of the original picture released, the costume had a flow to it. Yes, a cheap Halloween-esque plastic-y flow, but a flow nonetheless. That said, I still think this is better.

OG: ‘Tis a very good point EG. It does look very much disjointed. But, with such a short span of time between the initial release of the original costume image and these new images, I think the changes they made were the only ones they could do on the quick.

On a side-note, as much as I celebrate our victory in getting them to make changes, it is clear evidence that they don’t have a firm creative vision for this show nor the confidence to stick to their guns that such a vision would give them. And, with it being NBC, it feels like Heroes all over again – Changing and modifying their show based on the whims of fandom ultimately results in an even worse product. Does that make any sense?

EG: I get what you are saying, but I think you have to consider that this is *just* a costume modification, and not necessarily an indication of any lack of vision. Frankly, I’m more inclined to believe that they released the images just early enough so that they could make modifications based on fan reaction. If you think of that as an affirmative decision, it becomes less wishy-washy and more tactical.

And, if you are paranoid like me and follow that line of thinking to a darker conclusion, maybe those initial image drops were released *just* to get the fans to react in the way they did, that these changes were always going to come down the line, but now the studio can claim they actually listened to fans…

What? Too much?

OG: Anyway, putting that aside. What else?

EG: Nitpicking, I really do wish they’d gone with the silver on the boots instead of the gold. But, that is such a minor concern, it doesn’t even need to be mentioned. Along that same line, the stars on the pants would stand out more in silver as well.

OG: Hmm, I can see what you’re saying and certainly wouldn’t be opposed to that. But, the gold does fall in line with the iconography of the character, making a revised look to the character still fall within the bounds of what we expect from a Wonder Woman costume.

EG: But, let’s take note of the other aspect of this show we are seeing in these images – Wonder Woman is running. That implies that there is actually going to be action in the TV show! As an occasional viewer of Smallville, I’m used to a superhero show that barely has any action most of the time, and this show, we are already seeing action! I’ll admit, I feared, given David Kelly’s record of doing mostly courtroom dramas, that we’d never get around to any superheroic action scenes, so I’m suddenly filled with cautious optimism for this show.

OG: Well, we probably shouldn’t get ahead of ourselves just yet. This is the Pilot after all which is generally a more action-y affair in this type of show anyway. I don’t recall the Smallville Pilot (I believe the only episode I ever watched) but I gotta think that had some promising action in it as well. Also, running? Really? I mean, isn’t this situation tailor-made for Wonder Woman to show off her lasso skills? Ah, looks like I found another nit to pick. Please, carry on.

EG: Hey, how about a clip from the filming of the show?

OG: Let’s do it!

EG: Yowch! Busted knees are never fun!

OG: I have to say, she looks 1000 times less silly in action then I thought she would. Apparently, this ain’t just gonna be Ally McBeal with tights. That said, the shiny top does look significantly goofier in action than the pants. Despite that, it’s pretty encouraging overall.

EG: It does bolster my pie-eyed optimism. I know it isn’t much, but I did expected so little.

OG: Me too. But, I have to say, though we have no context for this clip, I do get worried in any superhero project where the hero/heroine is chasing some random thug. I like my superheroes to fight dudes that are equal to or even superior to them in ability. Of course, he mounted that last car with a lot more skill then she did (she looked pretty winded, right?), so I should probably reserve judgment there.

EG: Before we finish, let’s take a look at two more images. First, this:

Photobucket

EG: Now, that’s not even right. I know that Adrianne Palicki is more attractive than this bizarre shot lets on. I’m just saying – not an attractive angle.

OG: I’m going to venture to say that Ms. Palicki has probably already lodged a complaint about this angle. Yikes.

EG: And, finally, this image:

Photobucket

EG: I don’t know if this photo was darkened on purpose, or if it was just the particular lighting, but, wow, this image shows the potential for awesome this costume has. The colors in this one are dead on what they should be for the live action, the shine is more easily overlooked, and the flow of the costume is much better. If this is how the costume comes across on-screen, I’ll be thrilled!

OG: And, that’s not counting the wonders (I think this leaves me with 4 or 5 more crappy puns for the year based on the strict new crappy pun policy we put into effect recently) they can do to the color and look in post production enhancement work. So, I’m thinking this aspect of the show will be the least of our worries.

EG: I can’t believe I’m going to say this, but I’m starting to actually look forward to this series. I know the potential for it stinking is huge, but, seriously, the makers listened to geekdom about the costume. They WANT this show to be successful, they WANT to please the fans. How often does that happen, people? I mean, seriously? For that reason, I’m going to watch this show. That’s right – I’m declaring right now that I’m going to watch this show, good or bad!

OG: I’m with you. But, I must reiterate my concerns about how wishy-washy they’ve proved themselves to be already. But, you are right. A certain amount of respect for the fans opinions is healthy and can lead to a better show. No doubt. I just hope that outside of the costume they have a fresh and interesting take on the world of the character and give us something worth tuning into each week. So, I’m going to go ahead and join you in some good old-fashioned “cautious optimism.”

EG: For the changes to this costume, I’m driving my rating four and a half Running Steves. If the red bodice were changed to a duller leather look, I’d make it five in a heartbeat.

Photobucket

OG: I’ll bump from 3 ½ to four. They can certainly still change the top after the pilot is done and I’ll gladly revise upwards should that happen.

Photobucket

EG: Alright, Mr. Kelly and NBC… you’ve got us… can you hold on to us?

Advertisements

Wonder Woman: The New Duds

March 20, 2011

EG: Welcome, all, to the All-New “We’re gonna reboot this blog again” Extravaganza here at the Steve Austin Book Club. No lousy excuses here – we (OG and EG, your unreliable hosts here at the SABC) are bad people.

Not serial killer bad or kick-your-puppy bad, but easily-distracted-from-this-blog-and-not-post-anything-new-for-more-than-a-full-calendar-year bad.

Doesn’t exactly roll off the tongue, does it?

OG: I actually think our lack of posting is quite beautiful. Think about it – despite our numerous bionic upgrades, we are still deeply human. Just because our blogging abilities are cybernetically enhanced doesn’t mean that we aren’t also imbued with the inherent flaws of Original Sin. Also, we plainly suck.

EG: Anyway, what could POSSIBLY cause us to jump back into this? What event of geekdom would push us over the edge from our regular thoughts of “we really should bring the SABC back” to actually putting butts-to-chair and doing it?

This:

Photobucket

EG: It’s… it’s so… shiny. Uh… yeah.

OG: When my browser first loaded the image I actually heard the squeaking of vinyl before I saw the costume.

EG: In case you didn’t know, David Kelly is making a new Wonder Woman TV show for NBC, and the info that has been leaked about the show, up to this point, has been… underwhelming.

OG: Yes, in defiance of everything that Marvel Studios is doing to create a seamless film universe populated by their great panoply of characters shown in contemporary and dynamic ways, Warner Brothers (not counting the Batman films) is doing it’s level best to meet the demands of the late 90’s with the filmed versions of the heroes of DC!

EG: Now we get this costume. Don’t get me wrong, as a red-blooded American male, there is an… appreciation for this costume, but…

OG: Yes, EG. The gal is truly fetching and she has “wonder”ful attributes that make her a real stand-out in the role! (I hate myself for typing that) And, to really make a statement of who this character is, I see that David E. Kelly made the effort to order a Wonder Woman costume from Target’s expansive collection.

EG: You know, it does look a lot like one of those “Deluxe Sexy Superhero Costumes” that come out for women to slut around in every Halloween.

Photobucket

Photobucket

Photobucket

Photobucket

Photobucket

Photobucket

EG: The bad thing is… the one for Wonder Woman is actually less over-the-top than the new TV show costume.

OG: But, what they both have in common is their complete look of having been bought at a store. But, I’m being too negative here. I mean, I do want to say that I think there are things they’ve done right here. Kind of.

EG: I think I understand what is happening here. This entire thing is the nefarious plot of Jim Lee to get the public to accept, nay, CELEBRATE his redesign of the Wonder Woman costume.

Photobucket

And, you know what, OG? It is working. I almost wish they had gone with this costume for this TV show.

OG: I agree completely. I actually liked his design of the character and feels like it is almost tailor made for live-action. And so, I do applaud the inclusion of some of the elements. From what I understand of the plot for the new series, it is going to be more of a street-level superhero story and to that end, they started in the right direction but apparently felt the need to split the difference by bringing in more of the shiny, dare I say cheesy parts of the iconography.

EG: OG, I know you don’t watch Smallville…
OG: It is one of the few things in life that give me true pride.
EG: …and, really, I only catch about two full episodes a season, but they actually put Lois Lane (Erica Durance) in a Wonder Woman-esque costume that I really liked:

Photobucket

Now, I don’t mean to be snide (actually, yeah, I do), but when Smallville, the show that put Green Arrow in a hoodie –

Photobucket

And Superman in black trench coat –

Photobucket

Manages to come up with a better costume, you know you are in trouble.

OG: Not bad at all! I like the more leather look. Reminds me very much of what Marvel Studios is doing so amazingly right (at least from what I’ve seen) with the Captain America costume. I mean, in some ways Wonder Woman has a lot in common visually with Captain America. They have really in your face, bombastic, brightly colored, symbolically rich costumes that are hard to translate to film. Perhaps this is a good time for you to reach in to EG’s Treasure Trove of Superhero Costume Photo Reference and show us what Captain America looks like when done oh so very wrong…

EG: I only live to serve:
Photobucket

EG: In an effort to be positive, though, let me say that the DESIGN of the costume is actually pretty good. I like that they went with pants… sorta… well, fully-covered legs, anyway. I like that they went with the recognizable and classic bustier. And, while I like the shade of red used in the costume, the blue could stand a little muting, perhaps some darkening… but it is hard to tell from the glare! I think, if they could have de-shine-ified them (yeah, I made that word up), I’d appreciate the entire costume a lot more. The costume really isn’t *that* horrible.

Except the boots. The blue boots do not work. Hey, OG, wanna see this costume become about 90% better?

Photobucket

EG: There. How’s that?

OG: If you were to tie me up in your lasso of truth (please don’t) I would be forced to say that this is amazing! You almost completely fixed it. Mute the colors on the costume and then make it the more leather look we discussed earlier and you’ve got yourself a PERFECT Wonder Woman costume for the screen, which makes me a little hopeful. I mean, lit and photographed correctly, many of the more obnoxious aspects of the costume (brightness & shininess primarily) might be mitigated. Assuming they do that, the only other pitfall they’d need to avoid would be getting someone like the creator of Ally McBeal to run the show. Now that would be a travesty!

EG: Well, we can only hope! Actually… I have to admit, after looking at the costume for a while, and changing the boots, I could really see something like this working.   I’d really like the colors toned down to the tones in the Smallville version.  Let me take a try at that:

Photobucket

I still hate the shiny, latex-look, but the whole thing is growing on me.

Or, maybe it is just the fact that I’ve been looking at the image of a beautiful woman dressed up in a shiny latex Wonder Woman costume long enough that I don’t really care anymore.

OG: Well, while my first reaction was 100% negative I have to say you’ve kind of won me over here. I’m not hating it. In fact, I’ll go ahead and give this costume 3 fully loaded Running Steve’s.

Photobucket

And, just to go on the record, I’ll go ahead and give the show itself a presumptive ZERO Running Steves. Really predicting “Birds of Prey” levels of craptitude here man.

EG: I’ll second the three Running Steve’s, and I’m gonna say that people will be wishing Birds of Prey was still around to cleanse their palate from this doomed version of Wonder Woman.

Photobucket

NBC, feel free to surprise us and produce an amazing show… but don’t expect us to be holding our breath.

DVD Review: Four Film Favorites: Draculas

October 30, 2009

Photobucket

This is the actual Dracula… but it isn’t my Dracula:

Photobucket

And this is not my Dracula:

Photobucket

Not this one:

Photobucket

Or this one:

Photobucket

And I don’t really think this is anyone’s Dracula:

Photobucket

When I apply the ownership of “my” to it, I’m talking about when you close your eyes and think “Dracula,” the image that pops into your head is “your” Dracula. For me, THIS is my Dracula:

Photobucket

That, my friends, is Christopher Lee. (Pausing for the appropriate oohs and ahs.) Christopher Lee starred in seven of the nine films in the Dracula series from Hammer Films, from the late ’50’s to the early 70’s.

One of my greatest memories of childhood is my father and I, each Saturday afternoon, watching old horror films on The Channel 20 (WXON) Saturday Afternoon Thriller and Sir Graves Ghastly on channel 2 (WJBK). And, of those old films, my favorites were the Dracula movies.

And, among those Dracula movies, the Hammer films rose to the top. At the time, I probably wouldn’t have been able to talk about the production values, or the acting… I would have just said they were better. Despite my age, and my ability to analyze the films and explain what draws me to them, I find myself falling back into my childhood feelings about them – they are just better.

They weren’t slow and plodding, they didn’t look like they were filmed in someone’s basement with cardboard props, and Dracula was what he was supposed to be – a monster. Evil and nasty, and not terribly talkative.

(All due respect, and I say this as a fan of both Angel and Forever Knight, but I miss when vampires weren’t all sensitive and brooding.)

I really enjoyed these movies, but hadn’t seen them in years. Oh, there have been a few releases for home entertainment over the years, but nothing great or even complete (due to rights issues, I believe).

Then, a few weeks ago, I was told about a DVD set that was out from Warner Bros. called, “4 Film Favorites: Draculas.” This is a two disc set, containing four of the Christopher Lee/Hammer Films Dracula movies – Horror of Dracula, Dracula Has Risen from the Grave, Taste the Blood of Dracula, Dracula A.D. 1972. The price for this assembled bit of cinema greatness? Around ten bucks.

Photobucket

I was immediately doubtful. First, I’m not a fan of double sided discs when it comes to movies. They seem really susceptible to scratching and damage. Second, squeezing four films onto two discs usually mean low quality. Third, what could I really expect for $10.00?

But, fan of the films that I am, I went ahead and bought the collection.

And I’m so glad I did.

What you get is a pretty straightforward, no frills kinda deal with these. You essentially get the movie and its trailer for each film. That about does it in the area of “extras” on these discs. What makes this set worth more than the cost though is the quality of the films themselves.

Remember how I mentioned there have been various releases of these films in the past? Generally, those releases were crummy, lifted from less than stellar prints of the originals. This set, though, is sharp and crisp, not plagued with saturation problems or muffled sound like previous releases. And, the original trailers? They are pretty cool.

I would love to have a complete set of the nine Hammer Films Dracula movies, but I’m happy that four of the best of these films are collected here. (Maybe someday, the rights issues will be cleaned up and we’ll see an entire set!)

(Just in case you were interested, that set would include: Horror of Dracula, The Brides of Dracula, Dracula: Prince of Darkness, Dracula Has Risen from the Grave, Taste the Blood of Dracula, Scars of Dracula, Dracula A.D. 1972, The Satanic Rites of Dracula, and The Legend of the 7 Golden Vampires.)

I’m not going to go into each of the movies right now, for two reasons. One, tacking on four movie reviews to this is far more work than I want to do right now (yeah, I’m lazy, but I may review the movies separately at a later time), and, Two, it is four movies for ten bucks! Even if they were horrible, that’s only $2.50 a film. I’m sure you’ve spent more on a bad film sometime in the last decade!

But, these aren’t bad. They are pretty awesome. Admittedly, I’m biased, and I’m sure nostalgia is playing a big part, but even so, I would not hesitate recommending this set to someone that wants to see some really great Dracula movies.

And, with that, my good readers, Vampire Week here at The Steve Austin Book Club draws to a close.  Thanks for joining us, Happy Halloween, and we’ll see you next week!

Movie Time: Cirque Du Freak: The Vampire’s Assistant

October 27, 2009

Photobucket

Photobucket

Cirque Du Freak: The Vampire’s Assistant
Directed by Paul Weitz
Starring John C. Reilly, Josh Hutcherson, Chris Massoglia

Photobucket

Darren and Steve are best friends. They are also opposites in almost every way. Darren is the good kid, works hard in school, makes good grades, etc. Steve is the teenage punk from a troubled home that is apt to get into trouble. After finding a flyer for a traveling circus of freaks, the two decide to attend… and both of their lives are transformed.

Photobucket

During the show, Steve recognizes the magician to be a vampire from one of the many books he has on the subject. Darren, on the other hand, is far more interested in the unique spider that works with the magician/vampire.

Photobucket

When the show is broken up by local citizens and police, Darren and Steve are separated. Darren finds himself outside the dressing room of the magician/vampire, and decides he wants to see the spider again. Inside he finds the spider, but hears someone coming down the hall and grabs the spider and sneaks into the closet.

The magician/vampire and a friend step into the room and shortly thereafter… and so does Steve. Steve confronts the magician/vampire, and tells him he wants to be made a vampire, that he has nothing else to live for. The vampire sends him away.

When he gets the chance, Darren makes a run for it, and goes home, with the spider.

The next day, Darren takes the spider with him to school and meets up with Steve. The spider, accidentally freed from its cage, bites Steve, leaving him near death.

Darren makes his way back to the theater where they saw the show, hoping that the vampire can help Steve. The vampire makes a deal to help Steve, in exchange for Darren becoming his assistant… and a half-vampire.

Photobucket

Thus begins Cirque Du Freak: The Vampire’s Assistant. This movie is an obvious foundation for other films planned for a series based on the Cirque Du Freak books, which is both good and bad. Good, in that it is trying to establish a world and we are introduced to a lot of characters so that we get a feel for that world. Bad, in that many of those characters are given little time to truly establish themselves.

But, if the film does spawn the sequels, that will be forgiven, perhaps even lauded as we don’t have to deal with the problems of introducing so many characters with each subsequent installment.

The real basis of the story, though, is the rivalry between two sets of bloodsuckers – the Vampires and the Vampanese. Vampires, in this setting, are the “good” guys – they still drink blood, but they only sedate their victims, they don’t kill them. The Vampanese, on the other hand, are violent and bloodthirsty, and power hungry. There has been a long tentative peace treaty between the two groups, but it is now threatened.

I’ll admit that I knew nothing about this film going in. I had seen one commercial for it, and decided to see it just because of the planned theme for this week. And, though the film had a lot of faults, I was pleasantly surprised overall.

This isn’t really a vampire film, though. There are “sorta” vampires in it, but it is almost… vampires sifted through Tim Burton’s brain and then highlighted with Harry Potter-ness… if that makes any sense. The film is more of a quirky fantasy than anything in the realm of horror. Because of that, a lot of people will be immediately turned off of the film. Me? I’m rather proud of myself. When I realized what this film was going for, I thought, “Oh, okay. Well, I’m not exactly the target audience, but let’s see what happens.”

Photobucket

And, sure enough, I’m not the audience for this film. I can’t imagine rushing out to get the DVD for it when it comes out, or even going out of my way to see it again… but I did find it enjoyable.

Yeah, I could talk about the shortcomings of the film all day. I could tell you that Chris Massoglia, who plays Darren, is essentially a clone of Ashton Kutcher and that his performance seemed disengaged. I could complain that the other freaks of the Cirque didn’t get anywhere near enough screen time, and that the large number of name actors were generally wasted in the film.

But, you know what? That is a bunch of nitpicky kinda stuff that, while accurate, didn’t really stop me from enjoying this movie. The effects for the movie were pretty cool, even if some were a little too obviously computer animated. The makeup on this film was stellar, though, top notch stuff that really made this world come alive.

And, though they had limited screen time, the cast of freaks were really good. Jane Krakowski as Corma Limbs was bizarrely perky.

Photobucket

Orlando Jones as Alexander Ribs was… well, Orlando Jones. (Orlando Jones seems to be himself in most things.) Ken Watanabe had an amazing presence as Mr. Tall, and Patrick Fugit was so fantastic as the Snake Boy that I’d like to see an entire movie based on that character.

Photobucket

And, there is Salma Hayak… being all Salma Hayak and hot and all.

Photobucket

The most amazing performance for me, though, had to be John C. Reilly as Crespley, the vampire. The role is so completely against type for him, but he manages to completely own it.

Photobucket

His turn as the weary, cynical vampire is enough for me to recommend this movie to anyone I know. He delivers some of the best lines in the film that range from dark, wry humor, to an almost sad melancholy, and delivers them well.

Photobucket

Honestly, other than when he appeared on Late Night with Conan O’Brien and tore into Kevin Costner about when they both were doing For Love of the Game, this is my favorite thing John C. Reilly has ever done!

(And, by the way, if anyone knows where to find a clip of that, I’d be forever grateful to have it!)

For me, this movie was an unexpected treat. It won’t appeal to everyone, as it is definitely aimed toward mid-teens, but it wasn’t bad. In fact, I’ll go so far as to say that I wouldn’t mind seeing this film get some sequels, if only to expand on this world and to see the actors in supporting roles get a chance to shine.

I’m giving Cirque Du Freak: The Vampire’s Assistant three out of five Running Steves.

Photobucket

If nothing, this film has made me want to seek out the series of books on which it was based.

EG’s Review: World War Z

October 23, 2009

Photobucket

Photobucket

Alright, peoples, you’ve waited long enough to hear about this one! The Steve Austin Book Club is back, and more extreme than ever! Or, perhaps that is Xtreme! Mayhaps we should rename ourselves The Xteve AuXtin BooX Club, as an indicator of our new hip and happenin’ ways!

Or, not.

Anyway, this is the review of World War Z: An Oral History of the Zombie War by Max Brooks. This review is apt to spoil the book, so if you haven’t read it and want to, you may want to skip this. There will be SPOILERS-A-PLENTY! If you have read the book, feel free to leave a comment!

Photobucket

Now with the preliminaries out of the way, sit back and enjoy!

World War Z is a collection of the post-Zombie War rememberances of indidual survivors throughout the world. It is ten years after the official end of the war… a time to look back. The book is presented in a series of personal stories/interviews with individuals discussing their roles and reactions as the world was plunged into a panic and near extinction of the human race. Using these personal stories, the audience follows as the events of the Zombie War are revealed in pieces, from its start within the borders of China, to the various steps taken by governments throughout the world in attempts to protect their borders, through battlefields where traditional tactics are found lacking, to the eventual steps toward survival, which rely on plans for each nation to virtually abandon most of their citizens. The stories come from average individuals, politicians, military personnel, corporate leaders, slackers, etc., etc., etc.

And… that’s about the sum of it.

Let me start this by saying that the concept of this book is genius. I loved the premise and the style used. As an avid fan of the History Channel, I could really see this story being told through the account of eye witnesses just as much of their programming does. If there is any downside to that, it is that I think that this is one of those few occassions where the upcoming film based on this book may surpass the book in effectiveness. Why? Because the biggest complaint I have about the book seems to be a near universal complaint about it – while we are told that the stories come from various individuals, the vast majority of the stories are very much in the same voice, seemingly from the same individual. That is why I think the movie has the advantage. The various actors will lend their own spin to each vignette, allowing the audience to see a greater variance than what was afforded in the book.

I did appreciate the fact that the author knew his audience. Very little time was spent dwelling on what zombies are and trying to explain them away. Instead, he worked from a standpoint of “the people that pick this book up know what these creatures are.” It was nice to not have the lodestone of origin dragging the book down.

Now, the downside. Without an establishing of the specifics of the zombie of this book, we don’t have a firm enough idea of what these zombies are really like. And, it seems that the author forgets as well. There are times when we are told that zombies eventually decompose, and yet we are confronted with zombies in several instances that seem to have survived locked up in abandoned homes for years, no worse for wear. We are told that frozen weather will freeze zombies, yet they can walk unencumbered along the ocean floor, which rests at right about 32 degrees. (Fun science fact: the ocean, being salty, doesn’t freeze until the water hits about 28.5 degrees. Now you know, and knowing is half the battle.)

There also seems to be a real lack of knowledge about military weaponry. The idea that modern weapons would be less than effective against the undead is really hard to believe. The shrapnel described in the book always somehow managed to avoid hitting the zombies in the head. There is a reason that the militaries of the world issue metal helmets to their soldiers.

I can go along, to some extent, with the laughable actions of government during a situation like this, but the overall political commentary in the book is hack-kneed and blunt to the point of near rhetoric. Everything is too surface, no depth.

I was also unimpressed with the two types of people that we were presented with in the book: the noble hero and the scummy opportunist. There didn’t seem to be any other degrees of personality. I understand that a tragedy can be a polarizing event, but there are more shades to people than this, and not having those shades made almost all the characters boring and relatively two-dimensional.

Which, now that I think about it and re-read my last complaint, is the problem I have with the book as a whole. For all the supposed individuals “interviewed” in the book, there just isn’t enough to any of them. The characters are flat, which is really what makes them all sound the same. Perhaps if the author had focused on fewer stories, we could have had a more in depth character study of each. People aren’t simply noble or evil… they are far more complicated than that.

The book wasn’t terrible, but I expected and wanted so much more from it. As I mentioned, I’m really hoping that the actors in the planned film are able to bring that little extra to this project that is sorely missing in the book. For the potential of this book and the concept, I’m giving it two and a half Running Steves.

Photobucket

And, here’s to hoping that the film gets moving from development limbo and into actual production!

Movie Time: Zombieland

October 22, 2009

Photobucket

Photobucket

Zombieland
Directed by Ruben Fleischer
Starring Jesse Eisenberg, Woody Harrelson, Emma Stone, and Abigal Breslin

Photobucket

How to sum up this movie? In a post-apocalyptic world filled with zombies, four individuals join up… sorta… in search of a safe place that at least 75% of them don’t even believe exists. And Twinkies. Oh, and along the way, they learn a little about themselves, family, and they kill zombies.

And, honestly, that’s about it.

Photobucket

If you are looking for anything more than that, Zombieland is going to be a great disappointment. If you are just looking for a relatively fun film with some zombie killing, you’ll probably like it. But (and, this is where I differ from about 90% of the people that see this movie), if you are looking for a great zombie movie, you’ll probably be a little let down.

Parts of the movie were fantastic. Early on in the film, we are introduced to Columbus (Eisenberg), in all his nerdiness, and his rules for surviving in the new status quo, which is really funny.

Photobucket

(By the way, I find that Eisenberg:

Photobucket

… is completely interchangeable with Micheal Cera:

Photobucket

… who I originally thought was in this movie before I actually saw the film.  Just sayin’.)

And, when Tallahassee (Harrelson) and Columbus are in the early stages of their road trip, the film takes total advantage of the contrast between the characters. The comic chemistry between the two was fantastic, and the zombie killin’ they commence to doin’ is top notch and entertaining.

Photobucket

Photobucket

If the whole film had been just that, I would’ve enjoyed the whole thing much more.

Once Tallahassee and Columbus meet up with Wichita and Little Rock (Emma Stone and Abigal Breslin), though, the focus shifts away from zombies almost altogether to the bonding of the group of four individuals… which isn’t a horrible thing, but it kinda sapped away my enjoyment of the movie in the manner it was shoehorned into the middle of the film.

Photobucket

At this point, you get the weakest portions of the movie – a sequence of destruction of a souvenir shop that was pretty “eh”, and the Cameo (which you likely already know about, but I’m not going to spoil). The Cameo was surprising to me (because I was fortunate enough not to have heard a thing about it), but it was also only mildly amusing. And, then you get more character bonding (which is undermined by some less than stellar humor).

Which then leads up to the big finale, where two of the characters, in maybe the greatest display of stupidity in the entire film, run off to an amusement park and turn every light and noise-maker on, so they can play for a while. This, of course, attracts every zombie for miles around, and the two idiots have to be rescued by the only two other remaining people on earth (okay, we aren’t expressly told that, but it is implied). This rescue, though, lacks the creative and comic sense of the zombie kills early in the film, and kinda seems a little easy, despite the overwhelming numbers involved.

Photobucket

I enjoyed the movie as a sort of mindless popcorn film, but I wasn’t as blown away by it as most folks. As a result, I can only give Zombieland two and a half out of five Running Steves.

Photobucket

I just wish they had kept up the momentum from early on in the film.

Photobucket

Movie Time: Fido

October 20, 2009

Photobucket

Photobucket

Fido
Directed by Andrew Currie
Starring Billy Connolly, Carrie-Ann Moss, Dylan Baker, K’Sun Ray, Henry Czerny

Photobucket

Combining the nostalgia of Leave It to Beaver and the tender mercies of Dawn of the Dead, Fido is the story of a boy and his zombie.

In an alternative 1950’s era, the world is perfect in its innocence after recovering from the Zombie Wars (a time when the world was ravaged by space-dust reanimated dead). And, thanks to innovative technological advances, everyone can now even have their very own zombie servants!

Photobucket

Sure, every once in a while, a zombie goes bad and has to be taken care of, but folks are prepared. Children hone their shooting skills during the school day, and there is always ZomCom, the company that makes the control collars for the zombies, and their security division that keeps normal folks safe.

In the idyllic setting, we meet the Robinsons – Bill, Helen, and their son, Timmy. Bill is the responsible father, making sure that each member of his family have a funeral savings, ensuring that they will not revert to zombies after their deaths. Helen is a loving wife and mother, perhaps a little too concerned with keeping up with the Joneses. And Timmy? Timmy is the average boy, who’d just like to play catch with his dad.

Despite Bill being against it (for pretty good reasons when you see the movie), Helen orders a zombie after the head of ZomCom’s security division moves into the neighborhood. After a short period, Timmy becomes truly attached to the zombie and names him Fido.

Unfortunately, Fido’s control collar goes on the fritz, and he attacks and kills a neighbor. Despite the best efforts of Timmy to keep this under wraps, it is eventually found out, and Fido is recalled to ZomCom. Then, it is up to Timmy to rescue Fido.

Photobucket

I have to admit, when I decided to watch this film, I wasn’t expecting much. I had seen the preview, and thought, okay, I’ll give it a shot.

I’m very glad I did.

The look of this film is unbelievable. Despite the low budget, the feel is captured every bit as well, if not better, than in most movies that try the same. Everything from the costumes to the houses are era-perfect. It is a beautiful and lush setting, full of bright, synthetic colors that make for a great contrasting look with the zombies, clad in blues and grays to match their skin tones.

The acting throughout the film is pretty top notch. I wasn’t annoyed by the kid actor playing Timmy (which is a feat), and Carrie-Ann Moss as the mother was really fantastic, as, perhaps, the most dynamic character of the entire film.

Photobucket

Henry Czerny stole every seen he was in as spot-on casting for no-nonsense Head of Security Mr. Bottoms. The delightfully creepy Tim Blake Nelson as Mr. Theopolis, neighbor to the Robinsons, is worth the price of admission!

Photobucket

If there was any fault in the cast, I’d have to give that to Dylan Baker, who I usually really enjoy. In this movie, though, he seemed to be the only one playing a bit over the top, which was a contrast to the other actors that seemed to be playing the ridiculous as straight.

Photobucket

Still, overall, no major complaints.

Oh, and, let me just say that it blows me away that Fido:

Photobucket

Was played by this Billy Connolly:

Photobucket

Which was a fact I didn’t realize until very nearly the end of the film! I knew Billy Connolly was in the film, but I just didn’t connect it until late in the movie.

For better or worse (depending entirely on your tastes), the gore of this film was very understated overall (especially considering that it is a zombie movie). As a result, if you are looking for a bloody mess of a movie, you’ll probably be disappointed. On the other hand, if you are looking for a zombie movie that non-horror fans might enjoy, this is a heart-warming film (with a nice touch of satire and a bit of gore) that will probably fit the bill.

Photobucket

I’m giving Fido three and a half out of five Running Steves.

Photobucket

While this film isn’t quite up to the level of brilliance of the amazing Shaun of the Dead, it is certainly high up on the list of wonderful zombie comedies. Check it out if you have a chance!

Movie Time: Surrogates

October 14, 2009

Photobucket

Surrogates
PG-13
Directed by Jonathan Mostow
Starring Bruce Willis

Photobucket

There was a time, not too long ago, when Hollywood offering a token of science fiction with good production values and name stars was unusual. It was a dark time. As a result, I still get excited when I see a movie preview from the genre, despite the greater number of offerings.

Enter, Surrogates.

I saw the previews for this film and was really amped to see it. Real life delayed me, until this past weekend, but now I’ve seen it, and thought I’d go ahead and give my two cents about it.

Photobucket

In a future world quite similar to ours, technology has allowed the vast majority of people to purchase robotic surrogates, physically perfect avatars, to interact in the real world. No more need to fear the dangers of the outside world, people plug themselves in and live through these machines in perfect safety. Even if the surrogate is damaged, the operator is perfectly safe.

Photobucket

That all changes, though, when a college student is somehow murdered via their link with a surrogate. FBI agent Tom Greer (Bruce Willis) investigates the death, running into roadblocks from the company that creates the surrogates, the military, and those that rebel against the use of surrogates.

Photobucket

The movie is based on a limited comic book series from Top Shelf Productions.

I’ll admit, I haven’t read the comic book. I thought about seeking it out before seeing the movie, but I tend to believe that is a bad idea. Seldom to films live up to the source material, and I wanted to give this film every chance.

At the start of the film, I was completely struck by the look of the characters. I would bet that underwear companies had to delay their ad campaigns while every perfect underwear model in the world worked on this film. That isn’t a knock against the film – it establishes very early on the feel of the movie, and artificial perfection, a “fakeness” that allows the premise that people living through perfect machines is plausible.

Photobucket

In fact, this is reinforced when we meet up with the plastic version of Bruce Willis’ character. I don’t know what all they did to Bruce Willis to give us the plastic/perfect look that blends in with the underwear model cast so well, but it is impressive.

Photobucket

And, when his character is forced to go without his surrogate, the grizzled, wrinkled, and bald look of the actual human behind the puppet is also great for establishing the contrast of the film.

Photobucket

Unfortunately, one aspect of this compare/contrast demonstration didn’t really work. In the movie, there are those that are resistant to using the surrogates. Resistant is probably too subtle a term. “Violently opposed” is more accurate. They have been separated from the general populace in various camps. To emphasize the difference between these “real” people and the surrogates, most of the real folks are too real – sloppy looking, craggy, unkempt. It made me wonder, as I was watching, why none of the “real” people looked basically average. You can’t tell me that only the least attractive members of society reject surrogates. There have to be a couple of average folks mixed in, or it seems too black and white, which actually took me out of the movie.

The movie does have several good action sequences, and I have no complaints about the effects within the film. And, with a running time of under 90 minutes, the movie certainly doesn’t drag!

Photobucket

On the other hand, the film is pretty heavy handed in its moral. Not only does the main plot seem to revolve around the detachment of humanity, the sub plot of the relationship between Greer and his wife does as well. I think the makers of the film were trying to use the sub plot as a more personal reflection of the widespread issue of the main plot, but what results is the feeling of being hammered over the head in a “well, if you didn’t get the idea from that, how about this” sorta way.

Photobucket

(Ooh, by the way, wanna see what that surrogate having its face pulled off looks like? Okay!)

Photobucket

And, had the film stuck with the single social commentary of the detachment of humanity, I think they could have had a better product. Unfortunately, that non-dragging 90 minutes doesn’t really allow for the exploration of that theme, the violation of personal civil liberties, the question of justification in terrorism, and any of the other statements that the film failed to sufficiently elaborate on.

The movie failed to really offer anything new, though. We’ve seen this same sort of story done before, both better and worse.

The real problem with the film, though, is predictability. Every action seems to be telegraphed throughout the movie. Plus, I was able to figure out most of the film in the first five minutes, which is something I hate. OG tells me that this is partially my fault, because I never go into any book or film without overanalyzing as I go along. Maybe he’s right, but I still hate knowing how things are going to be put together at the beginning.

Overall, the movie was okay. Nothing spectacular, but it wasn’t unwatchable. I wouldn’t recommend running out to the theater to catch it before it moves to DVD. It isn’t worth that.

I’m going to give Surrogates two Running Steves.

Photobucket

I don’t know that they could have really done enough to make the film great, but there was definitely room for improvement.

Secondhand Selections: Sphere by Michael Crichton

October 2, 2009

Photobucket

Greetings, faithful readers, and welcome to another new feature here at The Steve Austin Book Club – Secondhand Selections!

What is Secondhand Selections? Recently, EG was in a thrift store (We’ve established he is cheap, right?), and came upon a shelf of books. As he started looking through the books, he noticed that there were several science fiction and fantasy books among the myriad of diet books, self-improvement books, and thirty-year-old textbooks.

Considering that the average paperback now rings in at $7.99 and up, the chance to pick up a couple of books for a dollar or less appealed to him!

And, thus was the seed of this feature planted!

The rules are simple – the books reviewed in this feature have to be purchased either at a resale shop (thrift store, Goodwill, whatever). It is a chance to prove that there is cheap, literary treasure out there to be had! Or, on the other hand, there is a chance that reading some of these books might also explain how they ended up abandoned to a resale shop.

Now, let’s get to it, with the very book that EG picked up on that day when the concept of this feature was born: Michael Chrichton’s Sphere!

Photobucket

This review was written with as few spoilers as I could manage and still give you, the reader, an idea of what the book was about. I’m pretty sure that you’ll be reasonably safe reading this review, but if you don’t want to know anything about the book, STOP NOW!!!

Overview:

In the middle of the South Pacific, a spacecraft is located near the bottom of the ocean floor, and, based on the surrounding environment, it has been there for at least 300 years. The ramifications of the find spur the U.S. Navy to proceed with a top secret plan written during the Carter Administration, titled “Recommendations for the Human Contact Team to Interact with Unknown Life Forms (ULF).” The author of that plan, psychologist Norman Johnson, is called in, along with mathematician Harry Adams, biochemist Beth Halpern, and astrophysicist Ted Fielding, as the civilian team to assist Captain Harold Barnes as they investigate the finding.

The team sets up shop one in an artificial underwater habitat, and soon begins exploring the mysterious ship that yields yields more questions than answers – such as, why are all the signs on the ship in English?

In the exploration of the ship, the team locates a large, perfectly polished silver sphere about 30 feet in diameter, and completely alien.

Approaching storms require the team to return to the surface, but, before they leave one of the team members does the unexpected… and enters the alien sphere.

Unable to evacuate, the team is stuck as the storms come and they are cut off from the surface world until the weather clears. Eventually, the team member that entered the sphere comes out of it.

And, that is when things start to get really interesting, as an unknown entity begins to contact them.

Review:

I have to admit something – I saw the movie Sphere in the theater in 1998. And, I have not thought of it since then, other than to think, “Well, that was a waste of money.”

Photobucket

In that case, why did I pick up this book? We all know that, generally speaking, books tend to be far superior to the films made of them. I’m not knocking film, it is just really difficult to transform a tapestry woven over 300 pages or so into a 90-minute film. As a result, a lot is lost… or changed.

Sometimes, the film can be pretty good as well, and then you seek out the book, which is what I did with a little art film titled Jurassic Park.

Photobucket

I liked the movie, and a lot of people told me I should read the book, because it was even better.

Photobucket

So I did. I read the book, and it was great. It was also different from the movie.

When I came across Sphere at the thrift shop, my immediate thought was, “blech!” Then, I realized two things: My feelings were based entirely on the film, and Sphere was written by Michael Crichton, who also happened to write Jurassic Park. Based on that, I decided to give the book a chance.

The book is, overall, a page turner. Crichton knew how to connect with the reader, as proven in his other books, and it is no different here. It also picks up speed as it goes along, until the reader is nearly racing toward the end. (That’s something I really like to feel in books.)

Despite some pretty “out there” concepts of science (and, by “out there” I mean both complicated and suspect), the book was accessible throughout, due in a great part to choosing as the main character Norman Johnson, a non-scientist that asks the questions that the reader has almost as quickly as the reader comes up with them.

Sadly, the other characters in the book tend to be one of two options – two-dimensional or non-existant. The other members of the team recieve the two-dimensional fill out in characterization, while other characters seem to simply be until they are no more. I can’t say for sure if this was by design, so that the reader latches onto Norman even more, but it does tend to make some of the dramatic moments of the book less impactful, because we don’t have an attachment to other characters.

The action sequences are well-built throughout the book, and do have that sense of urgency needed to drive the reader forward. Thankfully, it is written so that the reader doesn’t get too hung up along the way with techno-babble. I’ve read some books that get focus on that so much that you feel like you are reading a technical manual!

There are, though, some massive lapses in common sense that pop up throughout the book. As an example, when the characters worry about running out of air in the habitat waiting for the storms to abate, I immediately found myself asking why they wouldn’t go over to the spacecraft, which had already been shown to be able to support them.

Another problem is that there are some unexplained jumps in logic that are made. Toward the end of the book, there is a character that, despite having been unconscious for more than 12 hours, seems to be completely up to speed on what is going on upon waking, leaving the reader going, “huh?”

I think the biggest disappointment with the book is the ending, which is a little too simple, almost trite, in how it ties up all the loose ends. In that regard, the reader is left unsatisfied.

I don’t mean to be hard on the book. It isn’t bad, it really isn’t, and it is very exciting at times. And, trust me, it is sooooo much better than the movie. It just wasn’t as good as I wish it had been.

For that reason, I’m giving the book a solid two and a half Running Steves.

Photobucket

And, maybe, since I haven’t seen the movie in eleven years, maybe I’ll watch that again and let you know how I feel about it in more detail sometime!

Preview Review – Cable #16

September 25, 2009

Photobucket

That’s right kiddies! It is BACK!

Welcome to the Preview Review, wherein I find the unlettered preview pages offered online for a comic (that I really have no intention of buying), and write a review of the issue based entirely on my perceptions of what is going on.

And, what do I have in store for today? Why, nothing less than the majestic wonder that is Cable #16!

(Ooh… ahh…)

Yes, my friends, gather ’round, and let’s take a look at this masterpiece provided to us by writer Duane Swierczynski and artist Paul Gulacy. First up, the cover by Dave Wilkins!

Cable #16

Let’s see… looks like we have a little kid, most likely a girl is my guess… mostly because she seems to have that look of the “big eyed girls” that was prominent in outsider art of the 1960’s.

That’s right, scoffers! I have an art degree and I’m not afraid to use it! Sure, I could have gone for the lazy reference to anime/manga for the size of the eyes, but no! I went all historical! Ha!

Where was I? Oh, yeah, the cover. Anyway, the little girl is standing there, wearing a pair of boots that, based on the size, must come from Guy Gardner’s closet of the late 80’s/early 90’s!

Really? I’m the only one that gets the reference? Fine, here, take a look:

Photobucket

See?

Anyway, the little girl appears to be standing in front of Cable, drawn from Picasso’s Blue Period.

Ka-Zow! I did it again! Another zinger courtesy of my art degree! Ha ha ha! It makes it all worth it – the years of study, the student loans I’m still paying back, the virtual uselessness of the degree in an actual workforce…

(On a blog, no one can see you cry…)

Alright, so, the kid is in front of Cable (I know its Cable, because, a.) the massive gun, b.) the large number of pouches, and c.) I lived through the 1990’s.). Cable is… I’m going to say that Cable is encased in a giant block of ice.

And, given how he’s standing, the cold front must have moved in fast. Maybe one of those “superstorms” we saw Jake Gyllenhaal running from in The Day After Tomorrow. Which means that Cable, despite being a superhero, can’t outrun Jake Gyllenhaal.

Photobucket

(Wow… he’s got some crazy eyes, huh?)

I’m not sure what purpose that knowledge will ever serve, but now you know, and knowing is half the battle. GI JOE!

Given the cover, I can only assume that this comic deals with the kid trying to free Cable from the block of ice… a plot that makes me flashback to the film atrocity known as Batman and Robin, and thus makes going any farther a less than inviting thought.

Photobucket

And, yet, I must! On to the first page!

Photobucket

First panel! Ah… well. Hmm. It seems that the guy with the metal arm… Colossus? No, he has black hair. Oh, wait, white hair! That must be Cable! I see pouches and a gun!

Okay, so Cable is… assaulting a little person in the ruins of a building? That doesn’t seem right. What happened to the little girl from the cover?

What? No, that can’t be the little girl from the cover. That is *clearly* a woman’s head on that wee body, not a little girl. Although, she does appear to be wearing the same outfit at the girl from the cover.

So… confused… already… move… to… next… panel…

Alright, see, I told you! That is NOT a little girl. Maybe it is the little girl’s mother, and they have matching outfits. Oh, and she is ticked because Cable is getting fresh.

But, man, take a look at that head of hair on Cable. That is some nice, thick, well-maintained hair. Even in the midst of a building in ruins and fighting with a little person, Cable remembers the importance of looking good for the odd camera angle.

Next Panel!

Look! Cable and the little person are posing for a boxing match promotional poster! And starting to glow blue? Hmm…

After the poster shoot, it looks like the little person has fought off the advances of Cable with a mighty kick that looks to have crushed his sternum. And, again with the blue glow… why does that look so familiar?

Last panel of the page an — wait a second! I understand it now! I know where I’ve seen that blue glow! Quantum Leap! The little person appears to be leaping! Leaping from life to life! Striving to put right what once went wrong! And hoping each time that the next leap… will be the leap home!

Wow, I didn’t know that this was happening in Cable comics! I LOVED the tv show Quantum Leap! If I had known that it was picked up in the Cable comic, I’d have been there from the start!

Woo hoo! I’m suddenly much more interested in this comic! I wonder where the little person will leap next? Maybe into a police officer in the early 80’s, or a high school freshman of the 1970’s, or maybe a grandmother in the 1990’s…

Let’s turn the page and find out!
Photobucket

Ha ha! Too bad, Cable! The little person Leaper is getting away! No more of a chance for you to try to work your charms on her!

And the next four progressive panels, we see the continued leap. Strange, I never really noticed Sam Beckett in Quantum Leap having such a look of distress on his face when leaping. Still, by that third panel, I can almost hear the Quantum Leap theme song, “Do do, doodoo, do do, doodoo…”

And the leap seems to be almost over, wonder where we will end up! Next!

Hey… wait a second. Why are we back with Cable?!? We were going to leap, following the adventures of the little person bouncing around in time! She got to leap away, and we get stuck with what? A Cable comic? C’mon… how is THAT fair?

Those last two panels on this page are fitting. Yeah, Cable, we are with you. We thought we were going to get a great Quantum Leap story, too… but now… just the sad, pathetic knowledge that the leaping little person is gone, and we are stuck here… alone… with you.

Turn the page. It has to get better, right?

Photobucket

Huzzah wha-? Did I miss where the ground went out from beneath Cable? No, I didn’t. Okay, then we are climbing to… the next panel…

Ah, here we go. Cable was climbing to get to the rooftop of some building… because as a moody character, he’s required to look over the vast decay of the environment and brood? Sure, why not?

You know… that’s a lot of debris on that rooftop. Its like someone actually had to carry it up to the rooftop. I don’t know why they would do that, but that’s what it looks like. And, right there, in the center… is that a tire rim? Why in the world would someone carry a rim up there?

On to the next pan – Augh! Oh, wow… I was not expecting a close-up of Cable’s giant, sweating dinosaur head. Gee willickers, a little warning next time. Let’s just move on… that milky-white eye is creeping me out.

Now it appears as if there is a dust storm on the rooftop. And the silhouette of two large bones. Maybe there is more in the last panel…

Hmm… seems the bones weren’t bones, but hydraulics. Wait, I get it! Rims, hydraulics… this rooftop was the domain of nomadic Lowriders!

You know, coincidentally, all my friends love a lowrider.  They really, really do.

Okay, let’s turn the page.

Photobucket

Alright, now, here we have Cable saluting in front of a wall of junk. He probably thinks it is fitting, since a lot of that junk looks like it could have once been some of the massive guns he carries. Ooh, and his hand is glowing! Maybe he’ll finally get to leap and find that little person!

Oh, and look! A little inset of sand castles. Lovely. Not really sure why it is there, but lovely nonetheless.

Just under that, Cable poses, showing off his gun, pouches, and firm buttocks. His hand is still starting the Quantum Leap. Must be a delayed reaction.

Sliding over to the next panel, another close-up of Cable and his milky-white eye. Sheesh, that’s creepy. But, it seems he’s finally noticed the leap is starting! Almost time to travel through time!

At the bottom of the page, we have… Cable rending his clothes? Huh? Hold on, I know what is going on. The blue glow of the leap is spreading, and Cable thinks he has to strip naked to travel in time like in those Terminator films. Someone should explain to him that Leaping doesn’t really work like that.

Alright, how about that last page? I can’t wait to see Cable assume the identity of a diner waitress at a truckstop in 1978!

Photobucket

Oh, guess I was wrong. Seems that Cable leapt into a black guy in… well, it looks about the same sort of place that Cable was already in. Oh, and what irony! This guy also has a metal arm, but it is on the opposite side that Cable’s normally is.

And, a little inset of debris. Wonder why they focused on tha —

Holy smokes, Cable’s using the debris to tear into that metal arm! Cable! Stop! I know, this wasn’t the most excited leap in time, but trying to force another leap just isn’t the answer!

In the next inset panel, Cable, frustrated, seems to be ripping the metal arm off. That seems extreme.

And, finally, we are presented Cable, in profile, grimly accepting that leaping can’t be forced. There are things that have to be put right before you can leap… a lesson we all learned in the Quantum Leap episode entitled “Double Identity.”

And, if I’m lyin’, I’m dyin’.

(To the other three people on the planet that get that reference, thank you.)

Well, that was quite a little adventure. Sadly, there was NOTHING in this about Cable being encased in ice, which was disappointing. Plus, there at the end, they completely messed up the Quantum Leap stuff, because in that show, Sam only *appeared* to be the person he leapt into. He was actually still himself. So, Cable tearing into that arm with the debris? Yeah, that would have been him tearing into his actual flesh arm. And, that is kinda sick. I can only give this 218 stars out of 18,716 stars. I really think I’d have gone higher if we’d followed the leap of the little person that was escaping Cable.

That’ll do it for now. See you all at the next Preview Review.

*EG, enveloped by a blue light, leaps away!*